Painting conservation — Zofia Siek-Mlicka at work

Services

I restore former glory

The conservation of works of art is a process that requires not only technical knowledge but also deep respect for the history of the object. I treat every heritage object individually, selecting methods and materials to suit its specific character.

I conserve oil and tempera paintings, wall paintings, polychrome sculpture and architectural elements. I work with parishes, museums, private collectors and cultural institutions.

The conservation process is based on a thorough analysis of the work — its support, the technology of its execution, its paint layers and the traces of time. Each painting is treated individually, with respect for its history and authentic substance. Painting restoration is carried out in a professionally equipped conservation studio located near Kraków, Poland.

The aim is not only to restore a work's aesthetic qualities, but above all to preserve its original character and technique, in accordance with the principles of sound conservation practice.

Request an initial assessment Briefly describe the object. In the prepared email, you can attach overview and detail photographs of any visible damage.

Scope

What I conserve

Paintings

Conservation of easel paintings — oil, tempera and watercolour. Cleaning, lining, filling of losses, retouching.

Sculpture

Conservation of polychrome and gilded wooden sculpture. Structural consolidation, reconstruction of the paint layer.

Architectural elements

Conservation and restoration of architectural details — stucco, wall polychromy, altar elements.

Stages

How the conservation process works

1. Examination and documentation

I assess the condition of the object, document the damage photographically and draw up a programme of conservation treatment.

2. Quote and schedule

Based on this documentation, I prepare a quote and an estimated completion time.

3. Conservation treatment

I carry out the conservation treatment in line with the agreed programme, documenting every stage of the work.

4. Handover and recommendations

I return the finished object together with the conservation documentation and recommendations for its future care.

Before you get in touch

Frequently asked questions about conservation

Key information about the scope of the work and the conservation process.

What kinds of objects can the studio conserve?

The studio conserves oil, tempera and watercolour paintings, wall paintings, polychrome and gilded wooden sculptures, and architectural elements. View the conservation gallery — before and after →

How do I enquire about conservation?

Briefly describe the object. The form prepares an e-mail to which you can attach photographs of the whole object and close-ups of any visible damage.

How are conservation methods selected?

Methods and materials are selected individually after analysing the support, the technique used, the paint layers and the condition of the work.

What does the conservation process involve?

It includes examination and documentation, preparation of a quote and schedule, the conservation treatment itself, and handover with care recommendations.

What treatments may be carried out on a painting?

The work may include cleaning, lining, filling losses and retouching. The choice of treatments depends on the individual object.

Is the work documented?

Yes. Damage is photographed, and every stage of the work is documented.

What do I receive when conservation is complete?

The finished object is returned with conservation documentation and recommendations for its future care.

Does your work of art need conservation?

Get in touch — I will carry out an initial examination and prepare a quote.

Request an initial assessment